Baby Girl, the thriller starring Nivin Pauly that released on January 23, 2026. As of February 2, 2026, the film has wrapped its first 10 days at the box office, and the numbers show a clear slowdown after a modest opening week.
The Baby Girl box office collection Day 10 (Sunday, February 1) came in at around ₹0.12 crore net in India. That’s a tiny uptick from Saturday, but nowhere near the kind of weekend jump fans hoped for from a Nivin Pauly film.
Baby Girl Box Office Collection Day 10
| Day | Date | Collection (₹ Cr) |
|---|---|---|
| Day 1 | Jan 23 (Fri) | 0.75 |
| Day 2 | Jan 24 (Sat) | 0.85 |
| Day 3 | Jan 25 (Sun) | 1.00 |
| Day 4 | Jan 26 (Mon) | 0.54 |
| Day 5 | Jan 27 (Tue) | 0.20 |
| Day 6 | Jan 28 (Wed) | 0.18 |
| Day 7 | Jan 29 (Thu) | 0.11 |
| Day 8 | Jan 30 (Fri) | 0.08 |
| Day 9 | Jan 31 (Sat) | 0.09 |
| Day 10 | Feb 01 (Sun) | 0.12 |
| Total (10 Days) | — | 3.92 |
The opening weekend brought in ₹2.60 crore over the first three days – a slow start for a star like Nivin. Things dropped sharply from Monday onward, and the second weekend stayed flat with collections hovering around ₹0.08–0.12 crore per day. No real holiday boost or word-of-mouth lift happened.
Occupancy levels have fallen below 6% in key centres like Kochi and Trivandrum by Day 10. Screens are shrinking fast as bigger releases and newer films take over.
Also Read: Mankatha Re-Release Box Office Collection Day 10: Ajith Kumar’s Classic Crosses ₹14.90 Crore
Baby Girl box office collection Day 10 reflects the tough reality many mid-budget thrillers face right now – especially when competition is heavy. Nivin’s fans gave it a fair chance in the first week, but the momentum just didn’t carry forward.
Have you watched Baby Girl yet? What did you think of Nivin Pauly’s performance in this one? Drop your honest review in the comments – would love to hear if the story hooked you or if it felt average!
Sources & References: Sacnilk, FilmiBeat, Times of India
Chaitan Limkar is an entertainment writer specializing in movie reviews, box office collections, and web series coverage. With a sharp understanding of audience preferences and industry trends, he delivers accurate, engaging, and insight-driven content on films and digital streaming platforms. His writing focuses on honest reviews, reliable box office analysis, and timely entertainment news, helping readers stay updated with the latest happenings in cinema and OTT entertainment.
