Kevin James Wins Big: Solo Mio Box Office Collection Soars Through Valentine’s Weekend

Hollywood loves a good comeback story — but what it does not see very often is a sleeper hit. A small, quiet film that barely registers on the pre-release radar, then walks into cinemas and refuses to leave. That is precisely the story of Solo Mio, the charming romantic comedy starring Kevin James that has turned into one of the most pleasant surprises of 2026. Nobody expected it to last. Audiences had other ideas.

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Released on February 6 by Angel Studios, Solo Mio follows Matt — a man who, after being left at the altar, decides to go on his honeymoon in Italy completely alone. It is a story about heartbreak, second chances, and unexpected joy. And somehow, in a marketplace crowded with massive blockbusters and star-studded thrillers, this gentle little film found its people. The Solo Mio Box Office Collection is now the feel-good financial story everyone in the industry is talking about.

Here is the complete earnings picture for Solo Mio as of February 18, 2026:

The real turning point for the Solo Mio Box Office Collection came in its second weekend. Most films see their numbers fall off a cliff after opening week — a 50% drop or more is standard in the industry. Solo Mio did something almost unheard of. It barely moved.

Over the Valentine’s Day three-day weekend, the film earned $6.5 million — a drop of just 7.1% from its opening. That is an extraordinary hold by any measure. Then the Presidents’ Day four-day stretch added another $7.4 million, pushing the cumulative domestic total past the $18 million mark. Families, couples, and groups of friends kept coming back — and kept recommending it to others. That is the power of genuine word-of-mouth.

Here is a fact worth sitting with: Solo Mio, made for just $4 million, has already surpassed the total domestic lifetime earnings of Emma Stone’s 2025 sci-fi thriller Bugonia — a film that earned $17.6 million in its entire theatrical run. Solo Mio crossed that number in just 11 days.

It did all of this while competing directly against Wuthering Heights, the big-budget Margot Robbie romance that was essentially consuming the entire Valentine’s Day marketplace, and other wide releases fighting for family audiences. The fact that Solo Mio not only survived but thrived in that environment tells you everything about the kind of loyal audience it has built.

The numbers on screen tell one story. The ratings tell an even better one. Solo Mio has earned a 79% critics score on Rotten Tomatoes — solid and respectable. But the audience score? That is where things get remarkable.

A 96% audience score is not just impressive — it is rare. Viewers have praised Kevin James for delivering a grounded, genuinely moving performance as Matt, and highlighted the warm chemistry between him, Alyson Hannigan, and Jonathan Roumie. This is the kind of film that people leave feeling good about — and then immediately tell their friends to see.

The best may genuinely be still ahead. International markets have barely opened yet — Australia’s early release contributed just $4,000 to the global total so far. As the film rolls out into New Zealand and the United Kingdom later this month, those international numbers are expected to grow quickly.

If the Solo Mio Box Office Collection continues on its current trajectory, a $30–$40 million domestic finish is well within reach. For a film that cost just $4 million to make, that would be an almost unbelievable achievement — and a powerful reminder that in cinema, a great story will always find its audience.