Nivin Pauly thriller Baby Girl (directed by Arun Varma) has now completed 11 days in theatres. Released on January 23, 2026, the film started on a quiet note and has seen a steady drop in numbers, especially after the first week. As of Monday, February 2, 2026 (Day 11), early estimates show the Baby Girl box office collection Day 11 landing between ₹0.10 crore and ₹0.15 crore net in India.
The total India net collection after 11 days is around ₹4.25 crore to ₹4.50 crore. Weekdays have been particularly tough, with average occupancy staying under 10% in major centres. The film is facing very strong competition from the ongoing juggernaut Border 2, which is still dominating screens across Kerala and beyond.
Baby Girl Box Office Collection Day 11 – India Net Breakdown (Approx.)
| Day / Period | Collection (₹ Cr) |
|---|---|
| Day 1 | 0.75 |
| Day 2 | 0.85 |
| Day 3 | 1.00 |
| Days 4–7 (Rest of Week 1) | 1.25 |
| Days 8–10 | 0.30 |
| Day 11 (Feb 2, Mon) | 0.10 – 0.15 |
| Total (11 Days) | 4.25 |
The opening weekend gave some hope with a decent start for a mid-budget thriller, but the momentum didn’t carry forward. Low footfalls on weekdays and limited screen space have made it hard for Baby Girl to build a bigger audience.
Despite the numbers, Nivin Pauly’s fans appreciate his effort in a different role, and some theatres are still running select shows thanks to positive reviews from those who watched. But the Baby Girl box office collection Day 11 clearly shows it’s struggling to stay afloat in a crowded January-February season.
Will the film find a second wind through word-of-mouth or OTT buzz later? Or has Border 2 simply taken too much space? Have you caught Baby Girl yet? Tell me what you thought of Nivin’s performance in the comments – I’m reading all your reviews!
Also Read: Chatha Pacha Box Office Collection Day 12:Can the Film Recover After Steady Decline?
Sources & References: Sacnilk, Economic Times
Chaitan Limkar is an entertainment writer specializing in movie reviews, box office collections, and web series coverage. With a sharp understanding of audience preferences and industry trends, he delivers accurate, engaging, and insight-driven content on films and digital streaming platforms. His writing focuses on honest reviews, reliable box office analysis, and timely entertainment news, helping readers stay updated with the latest happenings in cinema and OTT entertainment.
