The box office is telling three very different stories. Dhurandhar is still hanging on after two full months, Border 2 is cruising through its second week, and Mardaani 3 is fighting hard in its opening days. Let’s look at the Dhurandhar Day 62 vs Border 2 Day 12 vs Mardaani 3 Day 6 Collection side by side.
Dhurandhar Day 62 vs Border 2 Day 12 vs Mardaani 3 Day 6 Collection
| Movie | Day | Day’s Earnings (Approx.) | Total India Nett |
|---|---|---|---|
| Dhurandhar | Day 62 | ~₹0.40 Cr | ₹836.95 Cr |
| Border 2 | Day 12 | ₹5.75 Cr | ₹286.75 Cr |
| Mardaani 3 | Day 6 | ₹2.00 Cr | ₹24.25 Cr |
Dhurandhar Day 62 – The legend lives on! Even after hitting Netflix on January 30, Ranveer Singh’s action blockbuster keeps pulling small crowds in select theaters.
It’s already the highest-grossing Bollywood film ever (excluding China) with over ₹1,303 crore worldwide. It’s the only single-language Hindi movie to cross ₹1,000 crore gross in India. True all-time blockbuster status!
Also Read: Nari Nari Naduma Murari: Sharwanand’s Film Turns Solid Hit, Now Streaming on OTT
Border 2 Day 12 – Sunny Deol’s patriotic sequel had a monster Republic Day run and is now settling into a steady but slower phase. Day 12 brought in ₹5.75 crore, pushing the total to ₹286.75 crore India net. Worldwide it’s around ₹392.5 crore. It’s a solid hit, though not matching Gadar 2’s speed at this stage.
Mardaani 3 Day 6 – Rani Mukerji’s cop drama opened okay (₹17.5 crore weekend) but weekdays have dropped to the ₹2 crore mark. Heavy competition from Border 2 is making things tough. Right now it’s struggling to build momentum.
This clash shows how long legs, festive boosts, and screen space change everything. Dhurandhar is the marathon king, Border 2 the strong mid-runner, and Mardaani 3 still looking for its second wind.
Chaitan Limkar is an entertainment writer specializing in movie reviews, box office collections, and web series coverage. With a sharp understanding of audience preferences and industry trends, he delivers accurate, engaging, and insight-driven content on films and digital streaming platforms. His writing focuses on honest reviews, reliable box office analysis, and timely entertainment news, helping readers stay updated with the latest happenings in cinema and OTT entertainment.
