Mayasabha: The Hall of Illusion—the psychological thriller directed by Rahi Anil Barve (Tumbbad fame)—has effectively reached the end of its theatrical journey in most regions. Released on January 30, the film struggled from day one against the massive hold of Border 2 and Mardaani 3, and collections dropped sharply in its second week.
Early estimates for Day 9 (Saturday, February 7) put the collection between ₹1–2 lakh net in India, bringing the 9-day total to around ₹80–81 lakh.
Mayasabha Box Office Collection Day 9
| Day | Date (2026) | Collection (Approx.) |
|---|---|---|
| Day 1 | Jan 30 (Fri) | ₹12 Lakh |
| Day 2 | Jan 31 (Sat) | ₹22 Lakh |
| Day 3 | Feb 1 (Sun) | ₹20 Lakh |
| Day 4 | Feb 2 (Mon) | ₹6 Lakh |
| Day 5 | Feb 3 (Tue) | ₹7 Lakh |
| Day 6 | Feb 4 (Wed) | ₹6 Lakh |
| Day 7 | Feb 5 (Thu) | ₹5 Lakh |
| Week 1 Total | — | ₹78 Lakh |
| Day 8 | Feb 6 (Fri) | ₹1 Lakh |
| Day 9 | Feb 7 (Sat) | ₹1–2 Lakh (Est.) |
Total after 9 days (India Net): ₹80–81 Lakh Worldwide Gross: ~₹95 Lakh – ₹1 Crore
Also Read: Gandhi Talks Box Office Collection Day 9: Vijay Sethupathi’s Silent Thriller Crosses ₹9.55 Cr
Mayasabha Box Office Collection Day 9 confirms a very difficult run for this small-budget film. Made on a shoestring budget under ₹1 crore (as confirmed by the director), it failed to cross even ₹1 crore net in the first week despite the Tumbbad legacy behind it. The dark, mind-bending style found a tiny audience in urban multiplexes, but mass circuits and smaller centers stayed away completely.
It’s a classic case of a niche film getting lost in the big-release noise. Still, those who watched praised the eerie atmosphere and Barve’s direction.
Disclaimer: Box office figures are based on early estimates and reported data from industry trackers. Final numbers may vary slightly upon official release by the producers.
Sources & References
- Sacnilk: Mayasabha (2026) Box Office Collection
- Koimoi: Mayasabha Day 8 Report
- Pinkvilla: Mayasabha Opening Week Collections
Chaitan Limkar is an entertainment writer specializing in movie reviews, box office collections, and web series coverage. With a sharp understanding of audience preferences and industry trends, he delivers accurate, engaging, and insight-driven content on films and digital streaming platforms. His writing focuses on honest reviews, reliable box office analysis, and timely entertainment news, helping readers stay updated with the latest happenings in cinema and OTT entertainment.
