February 2026 has been tough for mid-budget releases. Both Vadh 2 and Bhabiji Ghar Par Hain: Fun On The Run hit theaters on February 6, hoping to find their audience. But by Day 10 (Sunday, February 15, 2026), both had slowed to a crawl, overshadowed by big holdovers like Border 2 and Mardaani 3, plus newer arrivals like O’ Romeo.
The Vadh 2 Day 10 vs Bhabiji Ghar Par Hain Day 10 collection numbers tell a clear story: tough competition and limited interest hit them hard.
Vadh 2 managed to limp into a second weekend, while Bhabiji Ghar Par Hain was already fading fast—most screens dropped it after week one.
Vadh 2 Day 10 vs Bhabiji Ghar Par Hain Day 10 Collection (India Net )
| Feature | Vadh 2 (Day 10) | Bhabiji Ghar Par Hain (Day 10) |
|---|---|---|
| Day 10 Collection | ₹7 Lakhs | ₹2 Lakhs |
| Total Net (India) | ₹3.61 Crore | ₹1.39 Crore |
| Budget | ~₹10 Crore | ~₹10 Crore |
| Verdict | Flop | Disaster |
Vadh 2 Performance
The Sanjay Mishra and Neena Gupta film had a decent first weekend (around ₹3.30 crore for week 1). Second Saturday saw a small lift to ₹11 lakhs, but Sunday fell back to ₹7 lakhs. It did nearly 10 times better than the original Vadh (2022), but still couldn’t recover its costs theatrically.
Bhabiji Ghar Par Hain Performance
Despite the huge TV sitcom fanbase, the movie failed to bring viewers to theaters. It opened weak (₹20 lakhs on Day 1) and ended week 1 at just ₹1.37 crore. By Day 10, almost no screens were left—recovering less than 15% of budget. A clear box-office disaster.
Both films remind us how hard it is to survive against biggies. Have you watched either? What do you think went wrong? Share in the comments—I’m reading every one!
Disclaimer: Box office figures are based on early estimates and reported data from industry trackers. Final numbers may vary slightly upon official release by the producers & Numbers have not been independently verified by Crickduniya.
Chaitan Limkar is an entertainment writer specializing in movie reviews, box office collections, and web series coverage. With a sharp understanding of audience preferences and industry trends, he delivers accurate, engaging, and insight-driven content on films and digital streaming platforms. His writing focuses on honest reviews, reliable box office analysis, and timely entertainment news, helping readers stay updated with the latest happenings in cinema and OTT entertainment.
