A 2011 blockbuster takes on a 2026 experimental film – here’s who’s winning
Mankatha Re-Release VS Gandhi Talks Collection: Two very different films are currently fighting for audience attention at the box office. On one side, we have Ajith Kumar’s classic “Mankatha” making a comeback. On the other, there’s Vijay Sethupathi’s brand new silent film “Gandhi Talks.”
Let’s see how they’re doing as of today, February 1, 2026.
Mankatha Re-Release VS Gandhi Talks Collection
The Mankatha re-release VS Gandhi Talks collection shows an interesting pattern. Here’s the complete breakdown:
| Film | Type | Latest Day | Daily Collection | Total Earned |
|---|---|---|---|---|
| Mankatha | Re-release | Day 9 | ₹1.18 Crore | ₹15.44 Crore (Worldwide) |
| Gandhi Talks | New Release | Day 2 | ₹2.10 Crore | ₹3.85 Crore (India) |
Mankatha’s Winning Streak
Even after nine days in theaters, Ajith’s film is refusing to slow down. Saturday actually brought MORE people to theaters than Friday!
Tamil Nadu is going crazy for this re-release. The film has already crossed ₹12 crores in India alone. Fans are still packing theaters to watch Vinayak Mahadev’s thrilling heist story.
The film now sits at number 3 among all-time Tamil re-releases, behind only “Ghilli” and “Padayappa.” That’s seriously impressive for a 15-year-old movie!
Gandhi Talks’ Steady Climb
This new film had a different kind of opening. It earned ₹1.75 crores on day one and grew to ₹2.10 crores on Saturday.
What makes it special? There are NO dialogues! The entire film is silent, with Vijay Sethupathi, Arvind Swami, and Aditi Rao Hydari telling the story through expressions and AR Rahman’s brilliant music.
The Mankatha re-release VS Gandhi Talks collection shows why the new film is struggling – it’s targeting multiplex audiences who like experimental cinema, not the mass market.
Also Read: Gandhi Talks Box Office Collection Day 2: Silent Film Sees Modest Growth
“Mankatha” is clearly the people’s choice right now. But “Gandhi Talks” is slowly finding its own audience who appreciate unique filmmaking. Both films prove that Indian audiences want variety – whether it’s nostalgic action or artistic experiments.
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