Mayasabha: The Hall of Illusion—the new film from Tumbbad director Rahi Anil Barve—has wrapped its first six days in theaters. This dark, mind-bending drama came with high expectations thanks to the director’s name, but it’s had a very quiet run so far. Big players like Border 2 and Mardaani 3 are dominating screens, leaving little room for smaller films like this one.
The movie opened to really low numbers (the weakest start of 2026 so far) but got a nice lift on Saturday from positive word-of-mouth in niche circles—urban multiplex crowds and horror fans who love Barve’s style. After that weekend bump, collections dropped sharply on weekdays, which is pretty common for limited releases.
Mayasabha Box Office Collection Day 6
| Day | Date (2026) | Collection (Approx.) |
|---|---|---|
| Day 1 | Jan 30 (Fri) | ₹12 Lakhs |
| Day 2 | Jan 31 (Sat) | ₹22 Lakhs |
| Day 3 | Feb 1 (Sun) | ₹16 Lakhs |
| Day 4 | Feb 2 (Mon) | ₹07 Lakhs |
| Day 5 | Feb 3 (Tue) | ₹06 Lakhs |
| Day 6 | Feb 4 (Wed) | ₹04 Lakhs |
Total after 6 days (India Net): ₹67 Lakhs
Mayasabha Box Office Collection Day 6 shows the film earned just around ₹4 lakhs on Wednesday—typical for a mid-week day with very few shows. It released on only about 676 screens nationwide with almost no big marketing push. Everything depended on the director’s reputation and organic buzz in city theaters.
Also Read: Mankatha Re-Release Box Office Collection Day 13: Ajith Kumar’s Cult Classic Still Pulling Crowds
The budget was super low—under ₹1 crore according to most reports (some say up to ₹5 crore with extras). So even these small numbers put it on track to break even or come close if the hold continues in select multiplexes. It’s not a mass hit, but for a niche, artistic film, it’s quietly finding its people.
Sources & References
- Sacnilk / Koimoi: Mayasabha Day 2 Collection Report
- Pinkvilla: Opening Weekend Estimates
- Times of India: Day 1 & Day 2 Worldwide Breakdown
Chaitan Limkar is an entertainment writer specializing in movie reviews, box office collections, and web series coverage. With a sharp understanding of audience preferences and industry trends, he delivers accurate, engaging, and insight-driven content on films and digital streaming platforms. His writing focuses on honest reviews, reliable box office analysis, and timely entertainment news, helping readers stay updated with the latest happenings in cinema and OTT entertainment.
