Parasakthi Movie Review: A Period Drama That Struggles Despite Strong Performances

Director Sudha Kongara’s ambitious period film falls short of expectations with pacing issues overshadowing powerful performances

 

Parasakthi Movie Review:Sudha Kongara’s latest directorial venture, Parasakthi, hit theaters in January 2026 with considerable buzz surrounding its stellar ensemble cast and compelling historical premise. Starring Sivakarthikeyan, Atharvaa, Ravi Mohan, Sreeleela, and Jayam Ravi, this Tamil period drama attempts to recreate the fervent student activism against Hindi imposition in 1960s Tamil Nadu—a significant chapter in the state’s linguistic pride movement.

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Parasakthi Movie Review

What’s the Verdict?

Early reactions from audiences and critics have been decidedly mixed, with ratings averaging between 1.5 to 2 out of 5 stars across social media platforms and review aggregators. While the film boasts impressive technical achievements and memorable individual performances, it ultimately struggles with fundamental storytelling problems that prevent it from reaching its full potential.

The Bright Spots

Parasakthi isn’t without its merits. The film’s greatest strength lies in its casting choices, particularly Jayam Ravi, who delivers a menacing and layered portrayal as the antagonist. His performance brings genuine tension to the narrative, elevating scenes that might otherwise fall flat.

Atharvaa deserves special mention for what many are calling a career-best performance. His nuanced acting brings authenticity to the student activism movement, making the political awakening of his character feel earned rather than manufactured.

The brotherly bond between the lead characters creates some genuinely touching moments, with their relationship providing the emotional core that the film desperately needs. The first half benefits tremendously from this chemistry, building toward an interval block that reportedly had audiences on the edge of their seats.

From a technical standpoint, the production design team deserves applause for meticulously recreating 1960s Tamil Nadu. The authentic period setting immerses viewers in a bygone era, with careful attention paid to costumes, locations, and cultural details that transport audiences back in time.

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Where It Falls Apart

Unfortunately, the film’s considerable strengths can’t overcome its glaring weaknesses. The second half has been universally criticized as painfully slow, with predictable sequences that stretch far beyond their natural conclusion. What begins as a gripping political drama gradually transforms into a tedious viewing experience that tests even the most patient audience members.

The screenplay struggles to maintain momentum after a promising start. Forced comedic moments feel out of place against the serious historical backdrop, while the romantic subplot between the leads lacks chemistry and emotional resonance. Many viewers have described these elements as mere distractions from the core narrative rather than meaningful additions.

Perhaps most disappointingly for a Tamil film, the music fails to leave an impression. In an industry where powerful songs can elevate entire sequences and become cultural touchstones, Parasakthi’s soundtrack feels forgettable and disconnected from the story’s emotional beats.

The overall narration has been described as “boring” and “disastrous” by frustrated viewers who came expecting Sudha Kongara’s trademark sharp storytelling. The predictability of the plot combined with its excessive runtime creates a viewing experience that many have struggled to recommend, even with caveats about its redeeming qualities.

Parasakthi represents a missed opportunity. The ingredients were all there: a talented director, exceptional actors, an important historical subject, and the resources to bring it all to life authentically. Yet the execution falls short, with pacing problems and weak writing undermining what could have been a landmark film about Tamil linguistic pride.

For die-hard fans of the cast, particularly those wanting to see Atharvaa and Jayam Ravi at their best, there might be enough here to justify the ticket price. However, general audiences looking for engaging period entertainment may want to wait for streaming or reconsider altogether.

The film serves as a reminder that in cinema, authentic settings and powerful performances can only carry a story so far—eventually, the screenplay must deliver, and that’s where Parasakthi ultimately stumbles.

Parasakthi Movie Rating

Rating: 2/5

Have you watched Parasakthi? Share your thoughts on this period drama in the comments below. Does it deserve the criticism, or are there hidden gems that reviewers missed?

References

[1](https://www.oneindia.com/entertainment/parasakthi-movie-review-whats-good-whats-bad-in-sivakarthikeyans-film-7963776.html)
[2](https://news.abplive.com/entertainment/south-cinema/parasakthi-review-x-sivakarthikeyan-ravi-mohan-atharvaa-sudha-powerful-interval-ticket-booking-release-ua-censor-1821053)
[3](https://timesofindia.indiatimes.com/entertainment/tamil/movies/news/parasakthi-early-twitter-reactions-sivakarthikeyans-film-opens-to-mixed-reviews-netizens-hail-performances/articleshow/126446571.cms)
[4](https://www.republicworld.com/entertainment/tamil-cinema/parasakthi-x-review-sivakarthikeyan-s-movie-against-hindi-imposition-called-disastrous-and-boring-but-ravi-mohan-sreeleela-receive-praise)
[5](https://x.com/mrpaluvets/status/2009802618034630959)
[6](https://tamil.filmibeat.com/reviews/parasakthi-x-review-sivakarthikeyan-movie-got-mixed-reactions-for-first-half-169886.html)
[7](https://www.imdb.com/title/tt35019998/)
[8](https://www.youtube.com/watch?v=fJYtr9Cb8-k)
[9](https://indianexpress.com/article/entertainment/tamil/parasakthi-review-rating-collection-live-updates-sivakarthikeyan-sreeleela-jayam-ravi-10464178/)
[10](https://www.reddit.com/r/kollywood/comments/1q84agm/parasakthi_review_megathread/)

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